OK. The headline is a little misleading because this wasn’t just another Friday night with Eric Paslay and Waterloo Revival. It was a night of good times, good friends and of course, good music. What else would you expect from KRTY?
I’ve been looking forward to this show for a few weeks now. Partially because I’m a big fan of singer/songwriter Eric Paslay, but also because I have been trying to see Waterloo Revival for months. Unfortunately, I’m always just missing them by a day or two wherever they play on the West Coast. This wasn’t going to happen again.
Before we jump into the show, here’s a little background on Waterloo Revival. Back when Cody Cooper met George Birge in their Austin, Texas middle school, he inspired him to express himself through music. Good thing because this took them down a path that affected both of their lives. Later, Waterloo Revival began sampling tunes during Nashville songwriter showcases, adopting the town as their new home. They soon caught the attention of Scott Borchetta, President and CEO of Big Machine Label Group, and signed a deal with Big Machine Records just one week later.
Talk about a whirlwind!
Anyways, let’s get to the show, which was certainly worth the wait. Waterloo Revival took the stage around 8:50 p.m. and, after a few technical difficulties with their sound, began their set. They had a nice mix of ballads and uptempo country music.
If you know me, you know that one thing that I enjoy most is when the entertainers interact with the audience. This wasn’t an issue with Waterloo Revival as they spent time between each song telling stories about how they wrote a song, or just chatting with the audience.
While “Hit the Road” is currently finding it’s place on country radio, and has received an overwhelming positive response from programmers, critics and listeners, Waterloo Revival has a few additional songs they played that could certainly find their way on the radio. Songs like “Slow and Steady”, “Two Shots” and “I Love You, I Hate You, I Miss You” are two that immediately come to mind.
If you see Waterloo Revival on the bill anytime soon, make sure you’re there early. You don’t want to miss your chance to see this band, like I did so many times before. Make sure that you check them out on Facebook and follow them on Twitter at @WaterlooRev.
Following a brief intermission, it was time for the man who I believe is right up there with Phil Vassar as one of the best singer/songwriters in country music today, EMI Records recording artist Eric Paslay. As background, Paslay graduated from Middle Tennessee State University in 2005, but his passion was always music. Heck, he began playing guitar and writing music when he was just fifteen years old. From what I’ve read, the first song he wrote was a poem he wrote for a girl which he eventually put to music. Awww…
I’ll admit, one thing I didn’t expect was how tall Paslay was. This was obvious when Randy Jones of KRTY took the stage to introduce him, and had to do some nifty mic work. At 6’4″, the singer is the man behind the number one single “Friday Night”, which naturally he closed his set with. But what the average country music listener might not know is that he has also written huge hits for Jake Owen (Barefoot Blue Jean Night), Rascal Flatts (Rewind), Love and Theft (Angel Eyes) and the Eli Young Band (Even if it Breaks Your Heart).
His debut, self-titled album Eric Paslay has been extremely well received and features a collection of songs that cover a wide range of emotion. In addition to the before mentioned, up tempo single, “Friday Night”, it includes the ballad “She Don’t Love You”, as well as “Deep As It Is Wide” and “Song About A Girl”, which was a Top Ten hit for Paslay in 2014.
I’m happy to report that Paslay didn’t miss any of his hits during the show, and also treated the crowd to some new music. Judging by the reaction of the crowd, his next album will be just as big, if not bigger, than his first. I, for one, am very much looking forward to hearing more from this artist in the years to come. Be sure that you give him a follow on Twitter at @ericpaslay.
What else can I say. Every time I make my voyage to the Rodeo Club, I don’t leave disappointed. While there was no “full band” show, with the speakers bumping and guitars blazing, it was still a great, intimate evening in San Jose. Thanks again to the folks at KRTY, Nate Deaton, Julie Stevens, Tina Ferguson etc…for once again bringing the best in up-and-coming talent to the South Bay.
What did you think of the show? Please feel free to leave your thoughts on the show in the comments below.